- 10695 Dean Martin Dr. #1050 Ÿ Xxxxxx, XXXXXX xxxxxx ( (xxx-xxx-xxxx * abc@xyz.com

Dear Hiring Manager,

        In response to a job vacancy posting for the position of _________________________, I am sending my application to take on the challenge of the role. My resum is attached for your review and consideration.

What I offer is my more than 10 years providing high-performance event management, operating, installing, configuring, and maintaining audiovisual systems and lighting systems for stage performances in fashion shows and media broadcast productions. I am currently with Best Agencies at Fashion Show Mall as a Lead Technician managing all audio, lighting, and stage technical work special events and performances in various venues. Prior to this, I was a Stagehand at Stratosphere Hotel and Casino following my tenure as Lead Technician, handling the audiovisual and lighting systems for the Dillstar Production of The Sopranos Last Supper. For more details, please take a moment to go through my resum .

In leveraging my technical competencies in ensuring successful stage and media productions, I also bring to the table my personal strengths that include a passion for going beyond expectations through sustainable people-centric and results-driven work excellence. Along the way, I have also proven my interpersonal communication skills that help build relationships with the people I work with, including production management, colleagues, and industry professionals, that create a harmonious and collaborative work exxxxxxironment in achieving shared commitments.

I am confident that my experience and personal strengths offer the right mix of qualifications that define me as a suitable candidate for the vacancy, one who can help achieve your objectives as part of your team. Should you need further clarification, or would prefer to schedule an interview, please do not hesitate to reach me through my phone or email address indicated in the heading. Thank you for considering me, and I look forward to hearing from you soon.

Sincerely,

YYYYYY X. YYYYYY

Attachment: Resum

- 10695 Dean Martin Dr. #1050 Ÿ Xxxxxx, XXXXXX xxxxxx ( (xxx-xxx-xxxx * abc@xyz.com

Audio Engineer/Audiovisual Technician (Theater/Stage/Broadcast)

Qualifications Profile

    Self-assured, dynamic, and results-driven technical professional with more than 10 years providing high-performance event management, operating, installing, configuring, and maintaining audiovisual systems and lighting systems for stage performances in fashion shows and media broadcast productions.

-    Exhibited strong dedication to process efficiencies in operating audiovisual and lighting systems that add to a totally satisfying production value in any stage or media events.

-    Detail-oriented, analytical and methodical with critical thinking to resolve technical and relationship work issues even under stress.

    Well-organized and resourceful with multitasking skills that optimize limited resources to achieve outstanding results.

    Effective interpersonal communication skills that inspire confidence with crew and production stakeholders while bringing workforce diversity into a team advantage for achieving shared commitments.

Key Expertise

    Event Management

    Stage and Broadcast Production

    Preventive Equipment Maintenance Planning & Execution

    Technical Service Support

    Process/Workflow Improvement

    Technical Project Management

    Relationship Management (Clients, Stakeholders, & Suppliers)

Technical

    Stage & Audiovisual Equipment Operations (Hog2PC lighting interface, Midas Pro2C Monitor, Yamaha LS9, MG32/14FX, DM2000 soundboard, QL5 consoles, & wireless microphones)

    Apps: Various audio and video editing software

    Productivity Tools: MS Office (Word, Excel, PowerPoint, Access, & Outlook)

Professional Experience

    Manage all audio, lighting, and stage technical, assisting in developing, planning, and operating all equipment used for special events and performances in various venues.

    Operate and maintain automation platforms including 2 Serapid Drive elements and 14 aerial drives, Yamaha LS9 and QL5 consoles, maintaining all lighting, audio, video, and automation equipment used in the Fashion Shows.

    Create, build and configure all props and equipment as needed for staging successful events.

    Provide technical expertise in advising, developing, and assisting new theater equipment purchases and repairs for ensure serviceability of audiovisual, lighting, and other various stage equipment.

    Recommend creative and technical ideas to clients and management in enhancing production values using projection mapping, audio upgrades, lighting upgrades and infrastructure enhancements on runway platforms.

    Operate and maintain various stage appliances such as a Panasonic video switcher, video cameras, spotlights, footlights, and Midas audio console in several stage events for media firms as well as in promoting artists and brands.

    Operated both video switcher and camera with concurrent multiple DVD cues for Frankie Moreno, Pin Up and Pop Evolution, while operating Midas Pro2C Monitors for Pin Up, Frankie Moreno and MJ Live.

    Operated and maintained audiovisual and lighting equipment that included the Yamaha MG32/14FX and DM2000 soundboard with a 3-piece band and 12 wireless microphones and lavaliers, while collaborating with electricians in configuring power for lighting and sound systems in several old and new show locations.

    Trained new stagehands on their duties and responsibilities, company policies, and work expectations.

    Successfully moved the show to 3 different venues maintaining equipment serviceability and operational efficiencies within 7 days.

    Managed setting up stage props, rigging, and show pieces, operating 6 of the 7 technical tracks of the show that included flying aerialists, flying set pieces, stage cues, video cues, audio and lighting.

    Operated and maintained cameras and video equipment for special effects, 11 projectors, 5 chain motors, wardrobe, and set pieces, while ensuring the safety of all performers and technical staff during rehearsals and performances.

Education

UNIVERSITY OF NEVADA Xxxxxx, XXXXXX (Ongoing)